Paul Blinvo
Vue Weekly

"Once upon a time ... everything was perfect," begins The Soul Collector. Where Catalyst Theatre has previously acknowledged its works' theatricality in the opening moments (see: Frankenstein's "lights up" introduction), this one immediately tells us we're headed into the tundra of fable storytelling, in the hands of storytellers confident enough to draw attention to that.

The Soul Collector grapples with despair, fear, love, heartbreak, hope, redemption

Anna Borowiecki
St. Albert Gazette

No amount of updates can prepare you for Catalyst Theatre's world premiere of The Soul Collector. There is nothing like it out there.

Director/composer/writer Jonathan Christenson and scenographer Bretta Gerecke have created a vision of perpetually ice-covered landscapes, dark shadows and evil spirits that slither within reach.